After a class presentation goes horribly wrong, a young boy seeks refuge at a quiet park bench where he gets some life advice from the most unlikely person.

In this experimental underwater film. the syrupy-slow vision of submerged ecologies is interrupted by an uncanny presence – a hand, deathly-pale and unnaturally articulated. We’re always touching underwater uses the horror trope of ‘the body in pieces’ to examine environmental anxiety and the nature of loss, bringing dark absurdity and a transgressive aesthetic to the benthic zone.

An Aboriginal man who is pushed to his limits by a racist society creates the gammonest super hero alter-ego; Marlu Man. Armed with a pouch full of ping pong balls, a polony sandwich (yes polony, not devon) and a thirst for justice, Marlu Man kidnaps online trolls and dishes out punishment in his fortress of solitude, Mum's shed.

A heartfelt story of unrequited love explored through a lonely seagull struggling to accept that his newfound object of affection is a human-operated drone with a limited battery life.

Requiem imagines the last remaining astronauts onboard the International Space Station (ISS) bidding farewell to their vessel before it is deorbited and crashed into the remote South Pacific (an event scheduled to take place by the end of 2030)

A young girl discovers a magical cloud that may hold the key to mending her father’s broken heart.

From freezing cold swims in the depths of winter to the wildest imaginative artistic outputs, Tee Ken Ng's Mind is one that pushes the boundaries of life and art to extremes, and one we could all learn a lot from.

A low paid government employee makes first contact with an alien species.